RBH Sound SX-12 Subwoofer Review
- System Type: Powered Subwoofer
- Frequency Response: 27Hz-150Hz (±3dB)
- Power: 350 Watts
- Drive Unit: 12" (305mm) Aluminum Subwoofer
- Crossover Frequency: 40Hz-150Hz (variable)
- Cabinet/Color: Medium Density Fiberboard (MDF)/Matte Black Oak
- Grille: Black Cloth
- Finished Dimensions: 17-7/10" W x 19-5/8" H x 21-1/8" D (450mm W x 499mm H x 537mm D)
- Weight: 53 lbs. (24.04 Kg)
- Warranty: 5 Years/1 Year
Ever since the recent introduction of the Audioholics Subwoofer Room Size Rating Protocol, we've had subwoofers on the brain. Measuring, listening, measuring... It's gotten so that we're getting pretty good at spotting the good ones. This is a good one, and I don't say that lightly, because RBH Sound, unfortunately, isn't a company people readily associate with good subwoofers. Speakers, yes. Subwoofers, not so much. But this new front-firing, bottom-ported product from RBH, the SX-12, is really impressive. Is this the sub that brings RBH Sound into the mainstay of bassaholics everywhere? We'll have to see when we bench test it. For now, it's a beautiful product, with curved sides that give it a modern, stylized look to match the rest of the SX series, and it sports a back panel that has premium-quality connectors and even a balanced XLR input and output.
In addition to the XLRs, the sub also has an unbalanced LFE in and out as well as stereo line inputs. A variable crossover lets you sweep between 40-150 Hz and you can adjust the phase from 0-180 degrees. The sub works in either 'On' or 'Auto' mode where it senses input and turns itself on. There are no speaker level inputs or outputs, which is likely an indicator that RBH doesn't really expect you to use these with satellites. We'd have to agree, you want to mate a sub like this with something higher end to take advantage of the performance you get.
Internally, the sub is only moderately larger than the 350-watt powered 12" aluminum woofer that dominates the front of the cabinet. In terms of frequency response it's rated flat down to 27Hz, but it doesn't drop off a cliff at that frequency either. RBH Sound has always been conservative in its frequency measurements and, as a result, this sub doesn't have artificially low tuning that would cause distortion or bottoming out. We'll talk more about the frequency response and how it performed later. The important thing to note is that the cabinet size is relatively small given the size of the driver, so what RBH has done here in terms of output is actually pretty impressive.
The cabinet of this sub feels solid when you rap on it, indicating that it is well-built. Inside we confirmed that it had a pair of top-to-bottom side braces and there was plenty of dampening material along the sides and top. The plastic port, which is flared both inside and out, runs up the center of the sub, nearly to the top of the enclosure. Taking a look at the linear amplifier, you can see that RBH Sound meant business - there are no cheap parts to be found - the entire amp is very well made and isn't going to peter out when it gets driven hard... a fact that we proved by pushing this thing to its limits during testing.
And test it we did. From techno, to psychedelic, rock to reggae, the SX-12 pumped out obscene levels of bass into our reference 2-channel room. We also played some movies on the system, in particular the hovercraft scene from The Incredibles and the intro scene from Star Wars Episode 2. In both cases, what we observed is that this subwoofer integrated well with our room and did a great job blending perfectly with the SX-61/R Reference bookshelf speakers we were also testing. In the Star Wars clip, Queen Amidala's ship flies in with what is essentially an extended bass sweep that can peak and dip if a subwoofer isn't smoothly integrating with the system.
There's a lot to like about this new sub from RBH Sound. It's musical, it doesn't just sound one-notey. It's extremely powerful and can fill even larger rooms with tons of impactful sound. It's also good-looking. It's hard to make a big black box look good, but we think RBH pulled it off pretty well - and it's worth every penny of the $1100 price tag. They've engineered a lot into this product - that much is certain. It's going to be easy for us to put our stamp of approval on this sub and say that it's going to be something you definitely ought to check out. After this you might start hearing the name RBH a lot more when people strike up conversations about great subwoofers.
Oh, and if you are craving even more performance, RBH offers a Reference upgrade version which sports more power and a high excursion driver that has double the throw of the standard version. Anyone considering the upgraded SX series of speakers should take a long hard look at this option.
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Recent Forum Posts:
kevon27, post: 839829
A slight off topic question. I see that the RBH sub has some high THD ratings at 25hz and below. My question is, what does high THD sound like? Without measurement tools, can the human ear easily detect the distortion.
This is debate-able. Reason being is that the distortion is very high and on top of that the actual output level of the fundamental is very low. But the output is pretty much all distortion and very little useful output anyway, so the distortion may not matter much. The output is essentially not of useful level to begin with so it really doesn't matter what the distortion amount is. All resonant systems behave like this below their pass band not just the RBH. In other words a vented system operated below tuning. Lower distortion is of course better but if comparing to another subwoofer and neither have useful output where comparing the distortion to begin with it is moot. For the RBH SX-12 I surely wouldn't worry much about anything much below 25Hz. It's just not designed to be effective there.
Bghead8che, post: 839359
For that amount of money you could get an SVS, HSU, Rythmik, etc that would easily give you much better performance. I can't see why anyone would want to pay $1050 for a sub that underperforms.
Here's a few reasons:
- Many people aren't comfortable purchasing online
- Custom Installers can set things up for many people
- CI/ B&M Dealers can sometimes more effectively do repairs / warranty issues with shorter lead times. It's often just a case of ordering the replacement part and swapping it for you, rather than sending the entire speaker back and forth and the associated shipping delays/costs.
- Many people think every subwoofer has different sound quality, so they think subjective auditioning is meaningful, even if it's in a different room, a different calibration, etc.
- Many people just buy the matching brand of subwoofer to their main speakers
- Many people can't accept the sheer size of vented ID stuff in their rooms.
It's a business model that works effectively for many sub manufacturers. Of course, all of the above reasons aren't acceptable to us
I think the RBH sub isn't poorly designed. It just isn't up to OUR expectations at the price point. One such expectation for me, is to have a vent tuning below 20hz, even if there is some loss in max output as a consequence.
MinusTheBear, post: 839431
The build quality on the Axiom sub cabinet is as budget as you can get. It just looks like a box to me? This is their EP400 which costs over grand.
shadyJ, post: 839461
The VTF2 costs less than that, you must be thinking of the VTF3. The VTF2 is half the price of the RBH SX-12, $549 before shipping.
That price includes shipping/duty up to Canada.