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Featured Reviews & Articles
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Ready Acoustics Chameleon Bass Trap Review
ReadyAcoustics offers the Chameleon Frame to dress up acoustics panels so that your wife will actually let you have them. This is a DIY paradise!
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A New Way to Think About Room Acoustics
I often have people ask me some very basic overall questions about the acoustical design of a room, such as: how much will it cost, what will it look like, how much better is it going to sound? All of these are important questions and sometimes it's difficult to give someone an answer that's easily understood.
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Recent Acoustics Principles Articles
Let’s get right to it. You love audio, are passionate about your system and are always searching for a better experience, a more accurate response. You’ve heard the term “room correction”. You’ve heard speakers in various rooms, you are aware of acoustical treatments and active room correction systems (ARC). You know that your dedicated audio system is not in a purpose built room. You would like to make the room as “correct” as possible; however you have no clear idea what approach is best for your room. This article explores the 20 questions you should ask yourself towards building a great room along with feedback from leading industry experts within their own respected disciplines on this topic.
If you are searching for the utmost listening experience in your room with your system it is time you consider how your space is constructed. It is the purpose of this article to show you how the construction relates to your audio experience. There is an inverse relation between sound isolation (STC) and sound absorption (NRC). The greater the isolation of a surface the more sound energy is going to remain in that space. This applies directly below 200 Hz where the resonance of room modes is a primary factor of your systems character. It becomes compounded when you add multiple sound sources with low frequency information…you got it, your room.
Early reflections may or may not be major problems in home theaters. Addressing them through the use of heavy absorption should be pursued with caution. I believe the issue of early reflections and their relative merits (or lack thereof) in any home theater should never be ignored. This article opens a dialog on how to best deal with them and how they differ from large listening spaces.
Audyssey's Sound Equalizer is the company's first branded, flagship statement product. In working with the MultEQ Pro software over the last couple of months it has become apparent to this author that the ASE's power and flexibility can be best exploited, as far as overall system sound quality and balance are concerned, if careful attention is first paid to speaker selection, placement, and positioning. Often, passive room treatments, themselves carefully selected and placed are also recommended.
This article is about HAA certification training and it also contains some great information on home acoustics from the course which I have included in this article. You may find that even a few tidbits of information can make drastic sonic improvements to your system.
I often have people ask me some very basic overall questions about the acoustical design of a room, such as: how much will it cost, what will it look like, how much better is it going to sound? All of these are important questions and sometimes it's difficult to give someone an answer that's easily understood.
This article should provide a good understanding of what can be expected in terms of the process of designing a listening room. There are five phases to most design projects. Some of the phases may overlap slightly on occasion, but ideally each will have a clear beginning and ending point.
That it has evolved into an extremely sophisticated psychophysiological function should come as no surprise when one considers that in nature, the perceptor possessing the superior hearing mechanism/process is rewarded with survival. It's this same formidable sophistication, forged over time in the harsh crucible of simple survival that allows us now to experience the sublime joys of music - live or reproduced.
Distortion. Present in every electro-mechanical-acoustical transducer ever built, yet infrequently does one find information (let alone useful information) that describe the type and degree of distortion presented by the transducer. Head out on the Internet and corral a good sized collection of loudspeaker driver spec sheets and you'll find that not many will offer much guidance where it comes to sizing up candidates for your next loudspeaker system design. That is, if you include distortion figures amongst the criteria used in rendering your component purchase decisions. What to do?
Given all the foregoing research presented in various academic, scientific & industry journals, as well as other media, variously indicating the audibility of phase distortion, there remains no valid doubts regarding the existence of phase distortion.
Acoustics Principles
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