Funky Waves FW 12.X Subwoofer Review Measurements and Analysis
The first part of testing was to measure the frequency response from a modest output, all the way to the point where the system was clearly compressing and had hit the output wall, so to speak.

Funkywaves Frequency Response at Various Output Levels
Only some slight compression can be seen at the top most curve. If I had to guess (I am guessing) I would say this lessening of output is due to turbulence of air through the port. Since the curve does not tilt up prior to the cutoff (Like the Hsu does) it indicates the Driver is not losing motor force, nor should it be as the port and amp are doing all the heavy lifting at 20 Hz. Like all the other systems, this box was tested at 1 meter, lying on its side, microphone placed midway between the center of the port and the center of the driver so as to get the most accurate reading with the microphone very close. A 14 second sweep was used, and the data was smoothed to 1/24th octave resolution. (Translation, we don't make our curves with a ruler and graph paper like some folks...). We can also see that this driver loses about 3db of sensitivity from 50 Hz, by the time it reaches 100 Hz.
CEA 2010 Test Results
The next part of testing was to disconnect the Clio box, and connect the Earthworks M-30 microphone to a True Systems P-Solo mike preamplifier. This is set for minimum gain (click stop) and connected to the input of the computer's soundcard. We are running Don Keeles CEA test program version 1.62 which runs under Igor Pro which runs under Windows XP professional. (Whew!) The CEA program generates pulses 1/3rd of an octave wide, and centered at standard ISO frequency centers. (Meaning the 20 Hz pulse is -3db at 16 and 25 Hz.) This is superior to traditional tone burst testing and is the standard for which these measurements are gathered.
To understand the meaning behind the graphics below and testing methods used, please refer to the prior article (Subwoofer Shootout Measurements Overview) on this method. The process is a simple one. Drive the input to the system to the point where either the amp, its compressor, or its speaker simply refuses to give you more output, or the distortion created at that output level exceeds the CEA “redline”. In EVERY system tested, the result (if not the peak SPL) was similar in one regard. For ALL the other subwoofers tested, at the highest frequencies in the sub's bandwidth, we ran out of amplifier power, or the compressor refused to put out more power than the amp could cleanly deliver. The Funkywaves sub was different in this regard, and that may be due to its tuning, or possibly the fact that the peak powers the voice coil is experiencing is considerably higher than the other shootout entrants. Usually, at the lowest frequencies, the subwoofer runs out of excursion. With the Funkywaves, that does not happen at 20 Hz, as the port is doing all the work. Below is a spectrum capture of the Funkywaves FW 12.X system at maximum usable output for each of the 1/3rd octave centers from 20 to 63 Hz.
Signal Spectrum at
Maximum attainable Output of system 1 Meter Groundplane
Below are the results of the CEA peak SPL's are tabulated:
| FunkyWaves FW 12.X | CEA Test Performance | |
| Frequency | Maximum Peak SPL @ 1 Meter | RMS @ 2 meters |
| 20 Hz | 116.0 dB | 107 dB |
| 25 Hz | 121.3 dB | 112.3 dB |
| 32 Hz | 121.4 dB | 112.4 dB |
| 40 Hz | 123.0 dB | 114 dB |
| 50 Hz | 122.9 dB | 113.9 dB |
| 63 Hz | 122.1 dB | 113.1 dB |
Max SPL Output Data of the FunkyWaves FW 12.X Subwoofer
Why not test this speaker up to 80 Hz? Surely it is important, no? Yes of course. Two primary reasons I believe that the CEA standard excludes an 80 Hz measurement. Any large sub will be amplification limited by the time it is going as high as 63 Hz. While looking at 80 Hz will add little to the value of the testing, in the case of the Funkywaves sub, the driver sensitivity does roll off significantly over 50 Hz. This is because of the unusual set of parameters and driver construction particular to this model speaker. In short, our effective sensitivity, already low to start, has been halved again by the time this sub is up to 100 Hz. This may be in some part due to the drivers high mass, and no doubt the relatively high voice coil inductance. (Le) Let's also bear in mind the CEA pulse signal centered at 63 Hz is only 3dB down at 80 Hz, so the loss of sensitivity there is showing up in the “63 Hz” SPL number.
Update: 9/27/11
In order to make it easier for our readers to compare our CEA data between subwoofers tested prior to our new Subwoofer Measurement Protocol, we scaled our 1 meter peak CEA data to 2 meter RMS by subtracting 9dB for each frequency.
See also:
GranteedEV;795624
It would depend entirely on the signal and output level. Probably just some theoretical scenario and not a real life one, but imagine a 20hz sine wave at 120db during an important 200hz note. Again, purely theoretical. but I'd presume some level of doppler effect.
This phenomenon is more accurately described as phase modulation which results in frequency modulation. While the acoustic phenomenon is the same - which renders this point a matter of semantics and academic perspective - this fascinating article demonstrates why using the term Doppler to describe this effect is actually incorrect.
I've committed this sin many times in the past, so I'm not being condescending; rather just sharing what I've learned about this particular subject as it relates to the type of frequency modulation to which you were referring.
Since the phase and frequency modulation effect does not exist when the woofer crosses its zero (resting) point where cone velocity is the highest, the term Doppler cannot be used to describe the phenomenon. The phase/frequency modulation actually exists at the cone excursion extremes, where cone velocity is zero (thus precluding the term Doppler to describe the effect).
The below article has the objective data supporting the claim, and Linkwitz apparently thought so much of the research that he corroborated and provided mathematical proof on his website. Far from light reading, but nevertheless fascinating if you are into the theory behind certain acoustic phenomenon like you described above.
http://sound.westhost.com/doppler.htm [sound.westhost.com]
InTheIndustry;797907
Our woodworker did something in Purple Heart you might like. His work is incredible and I consider him more of an artist than anything...
NOTE: Non-Speaker related. http://www.deonbrugmann.com/category/closets/ [deonbrugmann.com]
wow those are gorgeous. I've always loved purple heart.
I'm sure they're well made but the finish is not to my taste.
Then again, I drive a yellow car, so what the hell do I know about taste?
cantonguy;797853
haha. I don't like the finish, but there is absolutely no denying that it is well done. The color of the finish is easy to change and does not correlate with the quality of the finish. As ugly as I think that is, you can tell it was done with love. Some of the best looking subs out there IMO. Has anyone ever seen something done in purple heart?
Our woodworker did something in Purple Heart you might like. His work is incredible and I consider him more of an artist than anything...
NOTE: Non-Speaker related. http://www.deonbrugmann.com/category/closets/ [deonbrugmann.com]

