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David Frangioni of Audio-One

by Jeff Hedback last modified December 09, 2007

AudioOne Theater Pic.jpgAudio-One (Miami) is both a residential and pro audio custom integration retailer. David Frangioni (president) is a professional mix engineer as well and has to his credit the very first surround audio mix! He co-produced and engineered the first 5.1 digital surround sound music mixes ever on CD. This 1995 project, for DTS, featured Boyz-II-Men, Seal, and Shoeless Joe. In addition to the over 50 DVD titles he has mixed in 5.1 surround sound Frangioni has mixed such legendary DVD releases as "Amnesty International: The Paris Concert," "Kiss; The Second Coming," and "MTV Superstars Unplugged." Awarded to Audio-One at this year’s CEDIA were both the Gold Technical Design and a Silver Technical Design…Audio One plays this “game” (custom integration) at the highest level.

David offered the following:

Repsonder: David Frangioni Answer ranking 1 - 5
1. Room design including sound isolation, room dimensions, and surface finishes? 5
2. Use of acoustical reflection control devices such as absorption and diffusion panels? 5
3. Use of acoustical low frequency control devices either passive or tuned? 5
4. Acoustical measurements of the room actual or predicted? 4
5. Acoustical coupling of speakers to surfaces, i.e mounting options (stands, in-wall, shelves, etc.)? 4
6. Speaker positioning? 5
7. Spatial response, meaning how the room responds at various positions not just a single location. 4
8. Crossover adjustments. 5
9. Phase response of speakers including subwoofer(s). 5
10. DSP design: number of filter points, measurement points, etc… 4
11. Aesthetics including surface finishes, furnishings and lighting? 4
12. Consumer demand for innovative acoustical treatment products? 3
13. Consumer demand for innovative active room correction products? 4
14. Use of specially trained room calibration specialists? 3
15. Video Quality? 4
16. End user expectation is similar to control room environment? 3
17. End user expectation is similar to a commercial cinema? 3
18. Dynamic range of content 4
19. Changes in musical composition and sound effect elements in relation to the advances in residential theaters? 4
20. Changes in surround mix techniques due to advances in residential theaters? 4

Great questions. Whatever I can do to support the advancement of better sound, including the use of acoustics, room corrections equipment, and/or techniques, I’m in.

 

Recent Forum Posts:

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gullfo posts on December 17, 2007 21:53
i'd have to side on the folks rating the room as one of the most important aspects. as Russ Berger points out, right or wrong, it all interacts as a system. you need a good room, good electronics, and good setup to get the maximum benefit from your system. tweaking via EQ and time/phase effects should be a final step with the understanding that time/phase effect ARC systems will be point solutions rather than a broad treatment.
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