Yamaha RX-A1010 AVENTAGE A/V Receiver Listening Tests
I took the Yamaha RX-A1010 A/V receiver over to my sister-in-law’s house to test it out with her new EMPtek Speaker line which consists of 2 x E55Ti towers, 1 x E56Ci center, 2 x E55WI wallmount side surrounds, 2 x RBH AC-615 in-wall back surround speakers and 2 x ES1010i subwoofers. All analog and HDMI cables were furnished by Bluejeans Cable. The source device was the Oppo BDP-93 feeding a new 55” Samsung LED display. I was a bit concerned driving all of these speakers on the Yamaha receiver since the front channels and center channel dip down in the 4-ohm region but they are also quite efficient and the towers represent a high impedance at low frequencies which hogs the most amplifier power. The room is roughly 20’ x 25’ and open to a kitchen and den so it’s a rather large and lively space with no passive room treatments other than a throw rug over the tile floor and some heavy couches.
Blu-ray: Steve Wilson – Grace for Drowning
Steve W
ilson is mostly known as the lead singer/guitarist of Progressive
Rock/Metal band Porcupine Tree. He has
also been known to collaborate with bands such as Blackfield, and Opeth and
Marillion. His latest solo project
“Grace for Drowning” is his most ambitious effort yet. This album is dedicated to his recently
deceased farther and pays tribute to late 60s early 70s era progressive
rock. It’s the first multi channel
Blu-ray music release of its kind and the sound quality is simply
stunning. Track #1 “Grave for Drowning” starts
off with a beautiful piano medley, the kind rock music used to have in droves
back in the day. It has an almost poppy
showtune kinda feel to it and the EMP speakers did a wonderful job conveying
the realism of the high resolution recording powered by the RX-A1010. Track #2 “Sectarian” has a very King Crimson
feel to it. It starts out acoustic but
goes electric psychedelic quite quickly.
The drum off beats remind me of the stick work of legendary drum man
Bill Bruford. There is a lot going on in
this song instrumentally with tons of dynamics.
The RX-A1010 did commendably well preserving the dynamics and the EMP
speakers simply absorbed its power begging to be played ever louder. The surround envelope effect was excellent
and the background noise was virtually non-existent which really made me
appreciate the contrast between soft and loud.
“Track #3 “Deform to Form a Star” is my favorite track on this entire
album. Wilson pours so much emotion into this song that you feel like you know
him. “Oh once in a while, I learn how to
smile” a memorable excerpt from this
song that had me smiling in sonic bliss listening on the EMP /Yamaha
combo. This entire album is, in my
opinion an instant classic and sonic marvel.
It in a way reboots the music industry giving it back to Audioholics
that crave quality sound and content all wrapped into one neat package with
supportive video. Pop this Blu-ray in
and test the dynamics of your system and reinvent your musical imagination. Yamaha will take you there if you connect a
quality speaker system like the EMP speakers I used during this demo.
Blu-ray: Transformers III - Dark of the Moon
The acting is sometimes cheesy, the
storyline weak and often unbe
lievable, but you gotta love giant metal crunching
robots slugging it peppered with plenty of LFE effects to rattle your spine to
place you in the action. That is just
what the latest Michael Bay Transformers movie did in my experience when
watching it using the Yamaha RX-A1010 and EMP speaker system. Though this setup didn’t quite have the bass
impact and overall slam of my reference system, it did provide a very
satisfying result. Dialogue was always
dynamic and clear thanks to the very potent new E56Ci center channel from
EMP. The Yamaha RX-A1010 never seemed to
sound strained in the vocals even during slug outs between the bots and
cons. The surround channels remained
dead quite until called upon. For fun I
experimented with some of Yamaha’s proprietary DSP modes and felt Movie Theater
Adventure produced the most palatable results after I toned down some of the
parameters such as DSP level, Room size and Liveliness. You will want to experiment here and fine
tune the various parameters to suite your listening tastes and room
conditions. Set the levels too high and
you wind up listening in a simulated acoustical space of a stadium bathroom
rather than a fine concert venue. Any
way you dice it, the Yamaha RX-A1010 was the Allspark of the show providing
plenty of Energon to power the EMP speaker system to reach satisfying listening
levels in a moderately large listening space.
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This review is the reason why I keep coming back to audioholics for reviews over other websites. The detail in the power measurements is rare.
Next time could you include the score on the video processing? I noticed you gave it a score of 3 out of 5, might as well include the test scores since hoj went through all that work
Also what's the final word of the receivers bi amping ability Gene….you mentioned it could bi amp the unused channels but how effective is it at that
Ken C., post: 904928
Has anyone had trouble using Pandora and Rhapsody on the Aventage line? I have tried three receivers, two models of the Aventage line and they all stutter at the beginning of every track and sometimes in the middle of a track. Net Radio buffers and works fine. Yamaha has told me there is a defect in the first unit and that they have not experienced this in their personal receivers. I have still another on order, a RX-A120, to see if it is any better. I have upgraded the firmware on one of the machines to no satisfaction.
I have the A2010, and use Pandora a lot. No issues, other than the Pandaora ‘Are you still Listening?’ message if you leave it on all night.
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