DVD-3910 Listening Evaluation and Conclusion
For the listening evaluation, I connected the DVD-3910 to an Integra DTC-9.4 processor which was feeding a Rotel RMB-1095 amplifier. I used a coaxial S/PDIF cable from River Cable for the digital output and analog interconnects from Axiom Audio for the multi-channel analog connections. I alternated between RBH Sound Signature Series speakers and Canton's new CD Series speakers to execute the following listening tests.
CD:
Toto Past to Present
Starting out with some familiar material I popped in
Toto: Past to
Present
and tried a few tracks. First off the disc was "Love Has the Power"
which sounded phenomenal coming from the DVD-3910 through the Canton
system. For CDs I utilized the coax digital outputs during listening
sessions. The drums and vocals came through with remarkable clarity and
detail. In addition, there was no delay when locking on to digital PCM
signals (or Dolby Digital signals for that matter) and the player
seemed to recognize all formats immediately and accurately. I played
some additional tracks on this album (I love the music and it sounded
really good on this system) and queued up "Pamela" which I feel has
some excellent vocals and a very defined soundstage, which came through
wonderfully unimpeded via the DVD-3910's coaxial S/PDIF outputs.
DVD-Audio: R.E.M.
Automatic For The People
The next auditioning tests involved some new DVD-Audio discs, fresh off the
presses from Rhino entertainment. R.E.M.'s
Automatic For The People
and
Out of Time
were among nine new double disc sets remastered in DVD-Audio and Dolby Digital 5.1 surround. We were
fortunate enough to get some of the first copies and I utilized them in this review. Placing the
DVD-3910 in DVD-Audio mode using the Setup menu I inserted
Automatic For The People
and sat back for a listen. Track 1, "Drive" took on a more open
feel than its original 2-channel counterpart (also included in the
remixed/mastered double disc set). Elliot Scheiner's remixes did a
great job of adding realistic ambient presence without overdoing it and
using the surrounds for an overabundance of point-source effects. Vocal
delays, which recur throughout the song, are correctly routed to the
surrounds, as are some of the string instruments and reverb which
simply expands the mix into the room. While the mix is impressive, I
believe the DVD-3910 flawlessly reproduced this DVD-Audio track with
perfect balance and clarity. I can't stress enough how much improved
the DVD-Audio capabilities of the DVD-3910 are in comparison to the
rather difficult to set up DVD-5900.
DVD-Audio: KAJE
The next disc I listened to was KAJE's self-titled album. Sent to me
on a whim, this has become one of my favorite DVD-Audio discs. Track 10
"Nothing's Changing" features the vocals of Valntine and is an
interesting recording with significant layers and depth within the mix.
I was blown away by the smooth bass and clear guitar which cycled and
built up throughout the song. Harmonies were perfectly placed in the
surrounds and main speakers and the final chorus enveloped me into the
song. All of KAJE's tracks feature excellent imaging and the DVD-3910
revealed every nuance in this system. I paid special attention to lead
ins and lead outs of songs and could hear no noise or extraneous
artifacting which told me that this was a clean player with amply low
noise floor.
SACD: Pink Floyd
Dark Side
of the
Moon
In order to test the SACD player functions I utilized Pink Floyd's
Dark Side
of the
Moon
disc and commenced a listening session that began with "Breathe"
and ended with "Eclipse" (the whole album.) What I found was that
imaging was fantastic. Vocals were straight up the middle when they
were supposed to be, and effects positioned themselves accurately
around the room when required. "Time" was a very revealing track in
that David Gilmour's voice is perfectly placed and complimented by
Wright's backing vocals. The EMS VCS3 synthesizer puts out some
incredibly tight and low rolling bass notes and there are very
precisely tuned rototoms that appear almost ethereally around the
soundstage. None of this was lost on the DVD-3910 and I felt as if this
SACD had never sounded more alive. "Us and Them" is a favorite of mine
and I was very impressed by the way the DVD-3910 transparently brought
forth this recording. David Gilmore's vocals and echoes combined with
the subsequent triple backing vocals struck me as being really
powerfully reproduced by the system. The sax solos present in this mix
are absolutely remarkable, with excellent spatial imaging and a smooth
reverb with no breakup or compression of the upper register. Overall
this was a chance for me to absorb the multi-channel capabilities of
this player and I have to admit, I'm hooked. I experienced no
limitations, compression or noise being introduced by this player and
the D/A conversion process seemed flawless in our reference systems.
Conclusion
There is so much to say about this player it's hard to sum it all up without rehashing the entire review a second time. Video quality is on par with anything I've seen up to this point. The DVD-3910's ability to present a detailed picture with accurate 2:3 pulldown and excellent scaling gives it very high marks as an almost-flagship player. The only nitpick disappointment in the video arena would be the fail grade on the Film Detail test when using the component outputs of the player. Black level and shadow detail are excellent. Color reproduction and noise reduction are great and the fact that this player can handle any format on the market gives it a huge thumbs up. In addition, it can handle SACD and DVD-Audio soundtracks with the utmost audio fidelity - both two-channel and multi-channel alike. I can't really recommend this player enough for those looking to settle down with a future-sensitive player that has all of the options required with today's technology and available formats. Last year we said the DVD-5900 was a hot player. This year, the DVD-3910 has dropped the price, added some features, and redefined what a universal player should be at this price point.
The Score Card
The scoring below is based on each piece of equipment doing the duty it is designed for. The numbers are weighed heavily with respect to the individual cost of each unit, thus giving a rating roughly equal to:
Performance × Price Factor/Value = Rating
Audioholics.com note: The ratings indicated below are based on subjective listening and objective testing of the product in question. The rating scale is based on performance/value ratio. If you notice better performing products in future reviews that have lower numbers in certain areas, be aware that the value factor is most likely the culprit. Other Audioholics reviewers may rate products solely based on performance, and each reviewer has his/her own system for ratings.
Audioholics Rating Scale




— Excellent



— Very Good


— Good

— Fair
— Poor
| Metric | Rating |
|---|---|
| High Definition Video Performance | ![]() ![]() ![]() ![]() |
| Standard Definition Video Performance | ![]() ![]() ![]() ![]() |
| High Definition Audio Performance | ![]() ![]() ![]() ![]() |
| Analogue Audio Performance | ![]() ![]() ![]() ![]() ![]() |
| Bass Management | ![]() ![]() ![]() ![]() |
| Build Quality | ![]() ![]() ![]() ![]() |
| Ergonomics & Usability | ![]() ![]() ![]() ![]() |
| Ease of Setup | ![]() ![]() ![]() ![]() |
| Features | ![]() ![]() ![]() ![]() |
| Remote Control | ![]() ![]() ![]() ![]() |
| Performance | ![]() ![]() ![]() ![]() ![]() |
| Value | ![]() ![]() ![]() ![]() ![]() |
