Skip to content. Skip to navigation
You are here: Home Pro Reviews Televisions & Displays Flat Panels Zenith Z26LZ5R 26" LCD Television Review Zenith Calibration & Viewing Evaluation
#########
 

Zenith Calibration & Viewing Evaluation

by Clint DeBoer last modified February 20, 2007

I like to be able to do basic calibration of displays, especially those with a tendency to be off the mark out of the box (that's nearly all direct view sets to date). In the case of the Zenith Z26LZ5R, however, you will find that not only are there not many options for calibration, the options you are given are not available independently for each input. Oops. We found the following matrix of configurable User settings per input:

DVI-HDCP

Dedicated User Settings

Component1 (rear)

Dedicated User Settings

Cable/Antenna Composite
S-video
Component2 (side)

Share 1 User Setting


As a result, you can adjust Contrast, Brightness, Color, Sharpness & Tint for the Component1 input and for the shared cableantenna/composite/s-video/Component2 inputs. The DVI-HDCP input also has its own retained user settings, however it only allows adjustment of Contrast and Brightness. There are no user-adjustable controls for RGB Gain or Bias.

Here are some calibration measurements followed by a discussion of input options and photos demonstrating the same source material on each. Calibration was performed on the Component1 inputs:

RGB Levels Across Grayscale

Luminance Histogram

image013_005.jpg

image015_004.jpg

Red and green were in the ballpark while Blue was sitting a bit high. As far as the picture was concerned this wasn't a tragedy - blue is a safe color to have run a little high. Color temperature was also quite high on this set out of the box. These items are not correctable in the User level interface.

When the unit is stepped through levels of grey from 0 IRE to 100 IRE, the measurements hold a rather uniform luminance histogram. Initially, however, there was a dip from 0-60 IRE and a gain from 60-100 IRE. Adjusting the set via the user controls corrected most of the Gamma problems resulting in a smoother curve.

Input Analysis

An analysis of the differences between inputs on the Zenith Z26LZ5R LCD television yielded some pretty eye-opening results. For one, realize that these images were taken prior to calibration so color should not be considered quite as much in the comparisons as detail. In the following lineup I have shown a detailed scene from the Superbit version of The Fifth Element in an effort to display the vast differences in inputs offered by the Zenith.

image016_012.jpg

image017_005.jpg

Composite Input

S-video Input

image018_009.jpg

image019_004.jpg

Component1 Input

DVI Input


Even a cursory glance reveals that while component video shows off considerably greater detail than either composite or s-video (though a bit oversaturated), the DVI input is the one that wins hands down as the best way to get accurate picture into this display. We recommend using the DVI input whenever possible. After calibration, the component video input showed color improvement but still did not possess the perfect detail shown through use of the DVI input.

Audioholics/HQV Bench Testing Summary of Test Results

Perfect Score is 130
Zenith Z26LZ5R Benchmark Score: 28
(Room for improvement. Use this display with a good source)

Test

Max
Points

Component
Results

Component
PassFail

Color Bar

10

0

Fail

Jaggies #1

5

3

Pass

Jaggies #2

5

0

Fail

Flag

10

0

Fail

Detail

10

10

Pass

Noise

10

0

Fail

Motion adaptive Noise Reduction

10

0

Fail

Film Detail

10

10

Pass

Cadence 2:2 Video

5

0

Fail

Cadence 2:2:2:4 DV Cam

5

0

Fail

Cadence 2:3:3:2 DV Cam

5

0

Fail

Cadence 3:2:3:2:2 Vari-speed

5

0

Fail

Cadence 5:5 Animation

5

0

Fail

Cadence 6:4 Animation

5

0

Fail

Cadence 8:7 animation

5

0

Fail

Cadence 3:2 24fps film

5

5

Pass

Scrolling Horizontal

10

0

Fail

Scrolling Rolling

10

0

Fail

Total Points

130

28



Our source was the Denon DVD-5900.

Comments on HQV Testing

This display basically affects anything coming in via its analogue inputs - even component video. When switching to the DVI input, however, the pictures becomes pristine and clear, showing incredible detail and allowing the source to do its job deinterlacing and producing a smooth picture. In addition, we noticed a consistent flickering during the Color Bar test which also went away with the DVI input. Based on these results, our clear recommendation is to use this display, whenever possible, with its DVI input. After saying this - read on to see that the component video inputs did indeed produce a very pleasing picture from the appropriate viewing distance, which just goes to show that real-world viewing does not always match up with the test results.

Viewing Evaluation - The Movies

DVD: Blade - Trinity

I purposely did my viewing evaluations with the component inputs (please see above for our component vs. DVI visual comparison using screen shots from The Fifth Element). The first film I popped in was Blade: Trinity. This movie had a lot of dark scenes and high-contrast effects which included vampires igniting and turning to ash. I thought the quality was excellent via the component inputs, though I know from objective comparison that the DVI inputs would have produced an even better, smoother, more accurate picture. From a distance of 3x the screen width pixelation and noise did not seem to be an issue as it was with our close-up examination of Silicon Optix' HQV test disc. All I saw was vivid color, good detail and a great overall picture. Blacks could have been better, but overall I felt the dynamic range of the scenes was very acceptable

DVD: Lemony Snicket's: A Series of Unfortunate Events

This is such a colorful movie and it really stood out on the Zenith and let the 26" LCD TV shine. M any of the scenes, especially the scenes with their herpetologist relative played by Billy Connolly, feature colorful snakes and scenery that practically jumps off of the screen. I found this movie to show off just how well LCD displays can put forth vibrant color, especially with the high lumen output demonstrated by this particular set. In addition, there were plenty of dark scenes that tested whether the detail would be lost in the shadows (it really wasn't for the most part) and how well the overall contrast of the picture played out in real-world viewing. I found the dynamic range of the set to be acceptable, though I prefer slightly darker blacks than can be achieved with this set. Setting the Brightness and Contrast of this display correctly will at least ensure an optimum viewing experience with regards to getting the most dynamics out of the Z26LZ5R.

Discovery HD

Discovery HD is the default channel when my cable box comes on and for good reason. The content on this channel is, typically, simply the best HDTV content available on cable. The high quality source footage and nature-centric content keeps your eyes glued to the set regardless of the show or topic of discussion. The Zenith Z26LZ5R took this channel in stride and put forth a fantastic image that, from my vantage point about 6' away - looked as if I was peering into the Serengeti through a window. Leaf detail was only exceeded by animal hair and wing detail as the story of the Serengeti produced picture after picture of incredible animal footage that brought this display to life.

If I had to pick a word to describe to cumulative HD footage I watched on this display, I'd have to say "gorgeous." Switch over to DVI and you might fall out of your chair, but even component video came through with flying colors in the real world tests.

 
Join our Newsletter for News & Deals
#########