Zenith Calibration & Viewing Evaluation
I like to be able to do basic calibration of displays, especially those
with a tendency to be off the mark out of the box (that's nearly all
direct view sets to date). In the case of the Zenith Z26LZ5R, however,
you will find that not only are there not many options for calibration,
the options you
are
given are not available
independently for each input. Oops. We found the following matrix of configurable User settings per
input:
|
DVI-HDCP |
Dedicated User Settings |
|
Component1 (rear) |
Dedicated User Settings |
|
Cable/Antenna Composite
|
Share 1 User Setting |
As a result, you can adjust Contrast, Brightness, Color, Sharpness & Tint for the Component1 input and for the shared cableantenna/composite/s-video/Component2 inputs. The DVI-HDCP input also has its own retained user settings, however it only allows adjustment of Contrast and Brightness. There are no user-adjustable controls for RGB Gain or Bias.
Here are some calibration measurements followed by a discussion of input options and photos demonstrating the same source material on each. Calibration was performed on the Component1 inputs:
|
RGB Levels Across Grayscale |
Luminance Histogram |
|
|
|
|
Red and green were in the ballpark while Blue was sitting a bit high. As far as the picture was concerned this wasn't a tragedy - blue is a safe color to have run a little high. Color temperature was also quite high on this set out of the box. These items are not correctable in the User level interface. |
When the unit is stepped through levels of grey from 0 IRE to 100 IRE, the measurements hold a rather uniform luminance histogram. Initially, however, there was a dip from 0-60 IRE and a gain from 60-100 IRE. Adjusting the set via the user controls corrected most of the Gamma problems resulting in a smoother curve. |
Input Analysis
An analysis of the differences between inputs on the Zenith Z26LZ5R LCD television yielded some pretty eye-opening results. For one, realize that these images were taken prior to calibration so color should not be considered quite as much in the comparisons as detail. In the following lineup I have shown a detailed scene from the Superbit version of The Fifth Element in an effort to display the vast differences in inputs offered by the Zenith.
|
|
|
|
Composite Input |
S-video Input |
|
|
|
|
Component1 Input |
DVI Input |
Even a cursory glance reveals that while component video shows off considerably greater detail than either composite or s-video (though a bit oversaturated), the DVI input is the one that wins hands down as the best way to get accurate picture into this display. We recommend using the DVI input whenever possible. After calibration, the component video input showed color improvement but still did not possess the perfect detail shown through use of the DVI input.
Audioholics/HQV Bench Testing Summary of Test Results
Perfect Score is 130
Zenith Z26LZ5R Benchmark Score: 28
(Room for improvement. Use this display with a good source)
|
Test |
Max
|
Component
|
Component
|
|
|---|---|---|---|---|
|
Color Bar |
10 |
0 |
Fail |
|
|
Jaggies #1 |
5 |
3 |
Pass |
|
|
Jaggies #2 |
5 |
0 |
Fail |
|
|
Flag |
10 |
0 |
Fail |
|
|
Detail |
10 |
10 |
Pass |
|
|
Noise |
10 |
0 |
Fail |
|
|
Motion adaptive Noise Reduction |
10 |
0 |
Fail |
|
|
Film Detail |
10 |
10 |
Pass |
|
|
Cadence 2:2 Video |
5 |
0 |
Fail |
|
|
Cadence 2:2:2:4 DV Cam |
5 |
0 |
Fail |
|
|
Cadence 2:3:3:2 DV Cam |
5 |
0 |
Fail |
|
|
Cadence 3:2:3:2:2 Vari-speed |
5 |
0 |
Fail |
|
|
Cadence 5:5 Animation |
5 |
0 |
Fail |
|
|
Cadence 6:4 Animation |
5 |
0 |
Fail |
|
|
Cadence 8:7 animation |
5 |
0 |
Fail |
|
|
Cadence 3:2 24fps film |
5 |
5 |
Pass |
|
|
Scrolling Horizontal |
10 |
0 |
Fail |
|
|
Scrolling Rolling |
10 |
0 |
Fail |
|
|
Total Points |
130 |
28 |
|
|
Our source was the Denon DVD-5900.
Comments on HQV Testing
This display basically affects anything coming in via its analogue inputs - even component video. When switching to the DVI input, however, the pictures becomes pristine and clear, showing incredible detail and allowing the source to do its job deinterlacing and producing a smooth picture. In addition, we noticed a consistent flickering during the Color Bar test which also went away with the DVI input. Based on these results, our clear recommendation is to use this display, whenever possible, with its DVI input. After saying this - read on to see that the component video inputs did indeed produce a very pleasing picture from the appropriate viewing distance, which just goes to show that real-world viewing does not always match up with the test results.
Viewing Evaluation - The Movies
DVD: Blade - Trinity
I purposely did my viewing evaluations with the component inputs
(please see above for our component vs. DVI visual comparison using screen shots from
The Fifth
Element).
The first film I popped in was
Blade: Trinity.
This movie had a lot of dark scenes and high-contrast effects which
included vampires igniting and turning to ash. I thought the quality
was excellent via the component inputs, though I know from objective
comparison that the DVI inputs would have produced an even better,
smoother, more accurate picture. From a distance of 3x the screen width
pixelation and noise did not seem to be an issue as it was with our
close-up examination of Silicon Optix' HQV test disc. All I saw was
vivid color, good detail and a great overall picture. Blacks could have
been better, but overall I felt the dynamic range of the scenes was
very acceptable
DVD: Lemony Snicket's: A Series of Unfortunate Events
This is such a colorful movie and it really stood out on the Zenith
and let the 26" LCD TV shine.
M
any of the scenes, especially the scenes with their herpetologist
relative played by Billy Connolly, feature colorful snakes and scenery
that practically jumps off of the screen. I found this movie to show
off just how well LCD displays can put forth vibrant color, especially
with the high lumen output demonstrated by this particular set. In
addition, there were plenty of dark scenes that tested whether the
detail would be lost in the shadows (it really wasn't for the most
part) and how well the overall contrast of the picture played out in
real-world viewing. I found the dynamic range of the set to be
acceptable, though I prefer slightly darker blacks than can be achieved
with this set. Setting the Brightness and Contrast of this display
correctly will at least ensure an optimum viewing experience with
regards to getting the most dynamics out of the Z26LZ5R.
Discovery HD
Discovery HD is the default channel when my cable box comes on and
for good reason. The content on this channel is, typically, simply the
best HDTV content available on cable. The high quality source footage
and nature-centric content keeps your eyes glued to the set regardless
of the show or topic of discussion. The Zenith Z26LZ5R took this
channel in stride and put forth a fantastic image that, from my vantage
point about 6' away - looked as if I was peering into the Serengeti
through a window. Leaf detail was only exceeded by animal hair and wing
detail as the story of the Serengeti produced picture after picture of
incredible animal footage that brought this display to life.
If I had to pick a word to describe to cumulative HD footage I watched on this display, I'd have to say "gorgeous." Switch over to DVI and you might fall out of your chair, but even component video came through with flying colors in the real world tests.