KRK Setup and Measurements

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krk_book_bottom.JPGIn the past, I have set my Swan S200A speakers on stands flanking my desk in my AV Rant podcast room. The room is heavily treated with 19 Ready Acoustics Chameleon panels. Echos are a thing of the past in this room. The Swans may be a bit smaller overall than the KRKs but they are rear ported and I needed to keep them off the wall. With the stands, I could do that without taking up too much desk space. The KRKs were easier to place with their front port and large pad on the Rokit 6s. This actually allowed me to hang them off the back of the desk a bit without worrying if I would miss whatever "feet" were on the bottom of the speaker. One thing about all the controls on all the speakers is that they "click" into place rather than being continuously variable. While a more continuous pot would give you finer control, one that locks makes it easier to ensure that you have both speakers at the same level. The sub controls are continuous giving you finer control on how the sub blends with the speakers and where the crossover lands. Level matching the speakers is a matter of sending a few test tones (you can get some online or from the Rives Audio Test CD 2 disc) and measuring them with an SPL meter. For my setup, having the speakers at the same volume was fine since I was equidistant from them and while I initially set the sub with a meter, I ended up doing it by ear in the end.

krk_tweeter.JPGI placed the sub on the outside of my desk. It was probably only a couple of feet or so from me. The speakers were on the desk and about anywhere from a foot to two feet depending on where I sat. I connected the sub and speaker combination in every available way. The system worked as advertised in just about every way. You'll want to start with the volume of the speakers and sub at the minimum and then work them up to an acceptable level. I found that if I had the speakers up too high, I got a buzz from them. My only real problem was that I was getting output from the sub far above the crossover point. Even when I bottomed out the crossover, I was hearing output all the way up to 125Hz. Not faint output but strong output. This could pose a problem with sub/monitor integration.

Measurements & Analysis

For laboratory measurements I used the Sencore SP395A FFT Audio Analyzer plugged directly into the internal amps of the Rokit 6 speakers and 10s subwoofer. The first thing I did was take the sub outside and do a groundplane measurement at one meter.

krk_meas_sub.jpg

KRK10s Subwoofer Groundplane Measurement 1 Meter

As you can see the KRK10s subwoofer has very strong and linear output from about 100Hz to 35-40Hz. The bass response is definitely more linear at lower volumes (which is most likely how this sub will be run). Depending on the placement, your in room response might be a bit lower.

I measured the KRK Rokit Powered 6 speakers in-room on- and off-axis frequency response with 1/12th octave resolution.

krk_meas_1mOn.JPG

KRK Rokit Powered 6 1 Meter Frequency Response (1/12th Octave) On Axis
Note - this is NOT a 1 watt measurement

As you can see, the Rokit 6s measures incredibly flat on axis except for a bump around 12-15kHz with a fairly dramatic dropoff below 70Hz which is expected and likely deliberate to preserve system dynamics since these monitors are designed to work in concert with the 10s subwoofer.

krk_meas_half.jpg

KRK Rokit Powered 6 1/2 Meter Frequency Response (1/12th Octave)
Pink - On axis, Orange - 15 degrees off axis, Yellow - 30 degrees off axis

KRK specs these speakers to 49Hz which doesn't look very likely from the 1 meter graph but it much more plausible in the above. Since the speakers are probably mostly going to be used nearfield, this seems to be the most representative of actual use.

 

Post Reply
griffinconst posts on August 30, 2009 15:40
retrace4nothing;615970
Why would a home theater type person be using studio monitors or even expect them to perform for this type of duty?

These monitors are designed for an entirely different purpose.

You are reviewing them using music that is already mixed down, processed and designed to be listened through a typical 'colored' home system.

Ridiculous.


First post huh?
mike c posts on August 28, 2009 18:15
retrace4nothing;615970
Why would a home theater type person be using studio monitors or even expect them to perform for this type of duty?

These monitors are designed for an entirely different purpose.

You are reviewing them using music that is already mixed down, processed and designed to be listened through a typical 'colored' home system.

Ridiculous.


who said we were all home theater type persons?

we are audioholics. i have an HT setup, bedroom setup, exercise setup, PC setup and a living room setup.

guess where i would use something like the KRK speakers? Duh

what music would you like them to review with?

crazy.
retrace4nothing posts on August 28, 2009 11:49
Why would a home theater type person be using studio monitors or even expect them to perform for this type of duty?

These monitors are designed for an entirely different purpose.

You are reviewing them using music that is already mixed down, processed and designed to be listened through a typical 'colored' home system.

Ridiculous.
WmAx posts on July 14, 2009 23:22
The KRK, at least the Gen 1, was equally suited to near or mid or far field applications. Off axis response was very good and there was a treble shelving function switch with 3 relative levels. Refer to the measurement sets I provided in my first post in this thread.

-Chris
FirstReflection posts on July 14, 2009 22:30
Gene - thank you very much for your reply! That is the first time I've had someone give a very clear, understandable and plausible reason as to WHY a nearfield monitor would not sound as accurate when sitting farther away from it.

Without taking up too much of your time, could you elaborate just a little bit on what sort of differences are made in the cross-over? Rolling off the highs and altering the bass output a little bit - those things I totally understand, but I do not have a really good grasp on what the cross-over would be doing to alter the sound at various distances.

Last question - If I were to take a "Studio Monitor" (as in, a speaker made and marketed as "professional" rather than "consumer") that specifically says it is for "midfield" listening (I've seen this classification on speakers from brands such as Focal, Genelec, JBL Pro, etc. If it is specifically marked as a "midfield" 1-3m speaker and I use it in my home theater at that distance, is there any reason to expect that it would not sound accurate, good and essentially very close to the way it would sound in a professional recording studio with a midfield mixing position?
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