RX-Z11 Conclusion and Score Card
The
Yamaha RX-Z11 represents the pinnacle of technology in a flagship receiver. It’s ability to transform your listening
space into a concert venue or mega Cineplex is unrivaled thanks to the powerful
arsenal of DSP processing and multi speaker configuration capabilities and
robust well designed amplifier section.
With its very clever power amp assignability and music mode
distribution, it proved to be the ultimate multi channel / multi zone receiver
capable of whole house entertainment.
I found the DSP mode sound quality to vary depending on source material so don’t expect any particular mode to excel all of the time. It’s important to take the time and experiment with your music and movie collection to determine what sounds best to you. To really take full advantage of the RX-Z11’s 11.2 surround sound capability, I highly recommend this product to be installed into a large listening space (at least 500 ft^2 or larger) with a minimum of 10ft ceilings. Unfortunately my theater room is limited to 8 foot ceilings, so I was unable to get the height channels up high enough to reach their full potential. While 11.2 was certainly impressive in my room, the experience wasn’t quite as dramatic as I have heard it in prior demos at Yamaha’s 2007 CEDIA booth which incidentally had higher ceilings.
There
seems to be an almost endless array of configurability and usability of this
product to the buyer willing to spend the time to learn how to properly use and
configure it. The RX-Z11 is a very complex sophisticated piece of A/V hardware
and is NOT a product for someone looking for simplicity and ease of setup but
instead looking for state of the art performance that does all of the latest in
HD audio and video decoding and treats music, multi-channel music and movies
with equal measure. The RX-Z11 has
earned the crown of flagship status and is a worthy successor to the venerable
RX-Z9.
6660 Orangethorpe
Avenue
Buena Park, CA
90620
(714) 522-9105
Yamaha RX-Z11 MSRP: $5,499
The Score Card
The scoring below is based on each piece of equipment doing the duty it is designed for. The numbers are weighed heavily with respect to the individual cost of each unit, thus giving a rating roughly equal to:
Performance × Price Factor/Value = Rating
Audioholics.com note: The ratings indicated below are based on subjective listening and objective testing of the product in question. The rating scale is based on performance/value ratio. If you notice better performing products in future reviews that have lower numbers in certain areas, be aware that the value factor is most likely the culprit. Other Audioholics reviewers may rate products solely based on performance, and each reviewer has his/her own system for ratings.
Audioholics Rating Scale




— Excellent



— Very Good


— Good

— Fair
— Poor
| Metric | Rating |
|---|---|
| Frequency Response Linearity | ![]() ![]() ![]() ![]() ![]() |
| SNR | ![]() ![]() ![]() ![]() |
| Output Impedance | ![]() ![]() ![]() ![]() ![]() |
| Measured Power (8-ohms) | ![]() ![]() ![]() ![]() ![]() |
| Measured Power (4-ohms) | ![]() ![]() ![]() ![]() ![]() |
| Multi-channel Audio Performance | ![]() ![]() ![]() ![]() ![]() |
| Two-channel Audio Performance | ![]() ![]() ![]() ![]() ![]() |
| Video Processing | ![]() ![]() ![]() ![]() |
| Build Quality | ![]() ![]() ![]() ![]() ![]() |
| Fit and Finish | ![]() ![]() ![]() ![]() ![]() |
| Ergonomics & Usability | ![]() ![]() ![]() ![]() |
| Features | ![]() ![]() ![]() ![]() ![]() |
| Remote Control | ![]() ![]() |
| Performance | ![]() ![]() ![]() ![]() ![]() |
| Value | ![]() ![]() ![]() ![]() |