Projector Screen Measurements (Light Controlled)

We decided to take some calibration measurements in a light controlled environment. We were very pleased with the very solid color temp measurements we obtained using the New Optoma H-72 projector, previously calibrated close to D65 on a white screen. We obtained very solid readings from 20IRE to 100IRE with the H-72 and the Visage combination.

Viewing Evaluation

DVD: Alien vs. Predator
With the very positive results we obtained during the daytime evaluation, we were very anxious to put the Visage screen to the test for nighttime controlled lighting evaluation. Once again, using the Optoma H-72 projector in a totally darkened room, we selected the near flawless transfer of Alien vs. Predator . We selected this DVD because of the dark, almost dreary, presentation and its abundance of low light, gray, and almost pitch black scenes.

The opening scene where the woman is climbing on the ice shelf is a very good passage for evaluation and contains a lot of contrasting colors to view.

We must say that at the beginning of the light controlled evaluation, we had the preconceived notion that because the screen material filters and absorbs light that it would somehow compromise black levels and grayscale. Well, we are here to tell you that if there is a compromise we sure did not see it.

Black levels were very impressive as shown above. The contrasting black gloves and handle on the ice axe were inky black against the white snowy background. The colors of the blue jacket and red hat were vibrant and punchy but not overly saturated. In no instance did we see hotspotting, and color graduation was smooth as silk.

We were curious how the same scene would look on our current reference screen, the Carada Criterion Brilliant White 1.4 gain screen. As stated previously, we were most pleased with the performance of the Visage screen. Having said that, the image looked a little more solid and natural on the white screen with total light control. The differences were very subtle but we preferred the white screen material when viewing in total darkness. Flip on a light, any light and the Visage was there to please in all its glory.

We have noted at times on very high gain screens that colors, while vibrant and punchy, look overly saturated and washed out. We also have noted that many times true deep black levels were compromised for the sake of the extra boost in screen gain. The Visage had no such trouble and the overall viewing of this particular scene was impressive. Turning on the large overhead light did wash the image out slightly but we found that we could happily view the movie with the lights on. This was not possible with previously reviewed front projection screens.

As the movie progressed, the image took on a dreary dark cast as the crew of adventurers one by one met their doom. The very dark scenes looked very natural. Once again the black, grays, and overall dark subdued level of the film looked very impressive and convincing. Viewing angles were equally impressive for a high gain screen. Generally, we have found that high gain screens have very narrow viewing angles

Moving to either side of the screen, we found that the viewing angles were acceptable. The importance of wider viewing angles is if you have seating toward the sides of the room your guests will not receive a compromised image because of their seating position.

Conclusion

The Visage screen is a breakthrough in screen technology. With the implementation of this new technology it now makes front projection systems a viable alternative in non-light controlled rooms. The Visage screen was equally impressive in a light controlled room striking a perfect balance of performance and usability.

The impeccable build quality, engineering and over all luxurious design of the screen make it an easy recommendation. We will be very sorry to see the new Visage screen returned to the factory. Watching Nascar on a 92-inch diagonal screen on Sunday mornings was an awesome experience. Going back to a 42-inch diagonal screen will be painful to say the least. The Visage screen is pricey but if you can afford the price of admission get it and you will go where no front projection system has gone before: into the light.

Visage 92" 1.78:1 Projection Screen
MSRP: $3899

Screen Innovations
11110 Metric Blvd. Ste D
Austin, TX 78758
Phone: 512-832-6939
Fax: 512-832-6136