ScreenPlay 5000 Connections & Bench Tests

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There are quite a few input options for the ScreenPlay 5000. It features M1, HD15 (VESA), component, composite and s-video connections. I would recommend this unit be used with either an M1 to HDMI/DVI adapter (not included) or the component video inputs. Of course if you are using this projector as a presentation device then the HD15 inputs are just fine. The M1 input is HDCP-compatible, however I hope this is the last ScreenPlay model InFocus sells that does not include at least one of the adapters. In this day and age it is inconceivable to let a projector out to market without direct HDMI or DVI input capability.

We utilized the component video inputs for our tests. We tried both interlaced and progressive source signals to check the deinterlacing ability of the ScreenPlay 5000. Our results are shown in the Viewing Evaluation setup

Remote Control

ScreenPlay 5000 remote control I'll just come out and say it - the remote for the ScreenPlay 5000 is actually quite good. Each button has an amber backlight that can be activated by pressing a button on the side of the remote. In addition, there are direct access buttons to each of the projector's inputs. The menu system is simple, yet intuitive, and the oft-used "resize" button is easy to locate, being isolated from the other controls. The remote fits well in the hand and I found that my thumb could access just about all of the buttons without having to shift the remote in my palm.

A "blank" button is provided to temporarily hide the picture, however it is replaced by a blue screen so it is next to useless as a feature. An "auto image" button quickly resynchronizes the projector to the source. This is rarely needed, however, as the projector will auto-search for the next available input (this feature can be disabled in the menu system).

Advanced Setup and Calibration

In addition to Brightness and Contrast settings, the ScreenPlay 5000 allows user access to red, green and blue Gain, Offset, and Gamma. With these controls you can really dial in the calibration. I found the default settings to be at least in the ballpark, though you can certainly pay some attention to color temperature and the Green color adjustments to help tweak the Green decoder errors I found (football should look very good on this set). Overall, the system dialed in to an acceptable and pleasing appearance.

Audioholics/HQV Bench Testing Summary of Test Results

Perfect Score: 130
ScreenPlay 5000 Benchmark Score: 45

Recommendation: For optimal quality this projector should be mated with a good source component outputting 480p/720p/1080i

Test

Max
Points

SP5000
Results

SP5000
PassFail

Color Bar

10

5

Pass

Jaggies #1

5

0

Fail

Jaggies #2

5

0

Fail

Flag

10

0

Fail

Detail

10

5

Pass

Noise

10

0

Fail

M otion adaptive Noise Reduction

10

0

Fail

Film Detail

10

10

Pass*

Cadence 2:2 Video

5

5

Pass

Cadence 2:2:2:4 DV Cam

5

5

Pass

Cadence 2:3:3:2 DV Cam

5

0

Fail

Cadence 3:2:3:2:2 Vari-speed

5

0

Fail

Cadence 5:5 Animation

5

5

Pass

Cadence 6:4 Animation

5

0

Fail

Cadence 8:7 animation

5

0

Fail

Cadence 3:2 24fps film

5

5

Pass

Scrolling Horizontal

10

5

Pass

Scrolling Rolling

10

0

Fail

Total Points

130

45


Comments on HQV Testing

As you can see from the results, the video processing on the ScreenPlay isn't much to write home about. While it performs 2:3 pulldown and does some deinterlacing it does so just enough to get by. The poor reduction of "jaggies" was the real killer and as a result we simply recommend pairing this projector with good quality source components. If you feed it a good source outputting 480p, 720p, or 1080i, then the ScreenPlay merely serves as a display - making poor deinterlacing irrelevant (it won't be doing any - just some scaling). Just to make sure it worked as intended, I paired the projector with a Denon DVD-3910 outputting 480p and the results were completely different. Hook it up via HDMI with a 720p source and you will likely get even nicer results.

 

 
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