Classe CT-2300 Two-Channel Amplifier Conclusion
My time with the Classe CT-2300 two-channel
amplifier has been a pure delight. Its pristine sonic virtues,
ability to drive even the most challenging of speaker loads beyond
reference levels, and its stellar bench tests results all equate to a
trifecta amplifier few at any price could surpass. The fact that it
runs cool even when driven hard makes it an installers delight that
they can rackmount a few of these virtually right on top of each
other without worrying about heat dissipation issues.
About the only thing I can diss the CT-2300 on is its rather generic rubber feet. OK I’ll admit, I have a foot fetish and expect my audio components to have nice feet, especially at this price. However, Classe does offer an optional foot upgrade for those not as concerned with taking up a bit more valuable vertical rack space or wanting to place this amplifier as a stand alone piece on a shelf or the floor. With the CT-2300 powering your speakers, you will soon forget about the ho-hum rubber feet while entering a sonic landscape not achievable with lesser designed amplifiers. The only thing I urge potential buyers on before considering the Classe CT-2300 for your next amplifier purchase is to make sure your speakers are up to the task. Your system is only as good as the weakest link and I can assure you the CT-2300 will not be the kink in the chain. After two months of dining on the CT-2300, I can say with total confidence that my appetite is fully satisfied. Highly recommended!
Classe
Electronics
5070
François Cusson
Lachine, Québec
H8T 1B3, Canada
Phone:
1-514-636-6384
FAX: 1-514- 636-1428
CT-2300
Review
MSRP: $6,500
The Score Card
The scoring below is based on each piece of equipment doing the duty it is designed for. The numbers are weighed heavily with respect to the individual cost of each unit, thus giving a rating roughly equal to:
Performance × Price Factor/Value = Rating
Audioholics.com note: The ratings indicated below are based on subjective listening and objective testing of the product in question. The rating scale is based on performance/value ratio. If you notice better performing products in future reviews that have lower numbers in certain areas, be aware that the value factor is most likely the culprit. Other Audioholics reviewers may rate products solely based on performance, and each reviewer has his/her own system for ratings.
Audioholics Rating Scale




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— Very Good


— Good

— Fair
— Poor
| Metric | Rating |
|---|---|
| Frequency Response Linearity | ![]() ![]() ![]() ![]() ![]() |
| SNR | ![]() ![]() ![]() ![]() ![]() |
| Measured Power (8-ohms) | ![]() ![]() ![]() ![]() ![]() |
| Measured Power (4-ohms) | ![]() ![]() ![]() ![]() ![]() |
| Multi-channel Audio Performance | ![]() ![]() ![]() ![]() ![]() |
| Two-channel Audio Performance | ![]() ![]() ![]() ![]() ![]() |
| Build Quality | ![]() ![]() ![]() ![]() ![]() |
| Ergonomics & Usability | ![]() ![]() ![]() ![]() ![]() |
| Features | ![]() ![]() ![]() ![]() |
| Performance | ![]() ![]() ![]() ![]() ![]() |
| Value | ![]() ![]() ![]() ![]() |
See also:
gene;908202
I am trying to get Emotiva to build me a complex load impedance bank so if enough people here chew them out for not building it for me yet, it may happen
Crafting e-mail to Emo, check
gene;908202
THX is great for interoperability but their testing on amps, and especially subs is rather anemic. Our Bassaholic certification is far more stringent than their Ultra2 or Big Room spec. Their amp testing mostly deals with dynamic testing which is how a $1k receiver can easily meet their Ultra2 requirement.
Well you know their argument about receivers and burst testing, ie it tends to be more representative of a real world program material than say, ACD continuously. Since I don't use THX speakers though, the main use I had for the certification on my receiver was that it confirmed the receiver could handle speakers dipping down to 4 ohms on the front channels; at the time I got my TX-SR707, I was only running a 2.1, so that was good enough.
As far as subwoofers go, I wouldn't mind hearing a Klipsch Ultra setup in an appropriate room, but I'm quite happy with my new Bassaholic Extreme certified SVS Ultra
gene;908200
I spent many years thinking everything in audio could neatly be measured and quantified. If fact I am pretty anal retentive about this beyond just audio but I am slowly realizing that we don't always get the whole picture from text book measurements & analysis.
This is a good topic for an article that I plan on writing when I find the time.
I do the most exhaustive testing in amplifiers that I've seen compared to any publication. I've even spoken with the folks at Audio Precision and they were impressed with my methods. I am still not 100% happy however as I'd like to do more but as you pointed out, my time is limited and I am the only person on staff that does amplifier measurements for Audioholics.
Distortion audibility is a complex topic one that the folks at AP also discussed at our 2008 SOTU event in this rather boring but interesting video:
Audio Precision Amplifier Testing Methods Class — Reviews and News from Audioholics [audioholics.com]
Again sometimes text book theory doesn't always apply to real world. I found this especially true with loudspeakers and somewhat applicable to amplification.
IHO as an engineer, even subtle differences have equations behind them and there are measurements or a combination of measurements that will correlate to how an amplifier sounds. I firmly believe this. Maybe its never been done before to that extent but I think it should be. That way audiophiles and people selling snake oil ( not implying anything to you ) can be held accountable for the travesties in this industry.
Speakers are different from amps only from the perspective of room interaction espcially with respect to seating position. There are too many variables in/for a room to even think that measurements would describe accurately how a speaker sounds. I realize that even mic placement can alter the measurements of a speaker. Its far more complicated from a variables point of view than amps that for sure. If one had a thousand years, maybe one could accurately model speaker interaction with its room.
I look forward to the article. It may change my opinion on amp's sonic signatures
Steve81;908191
I agree to a certain extent. I'd contend that measurements of an amplifier *could* tell you everything you needed to know about it, but the reality is, nobody is measuring an amplifier that thoroughly. I mean, even the aforementioned power cube test is limited; yes, you can see that the amplifier delivers power into complex loads at 1kHz, but you're not seeing the distortion profile, how it performs in terms of frequency response into those loads, etc.
As a side note, that's one thing I can appreciate about THX certifications, ie they address both sides of the equation, the loudspeaker and the amplifier to ensure they work together.
Agreed which is one of the reasons power cube testing really doesn't interest me and hence why so few people even use them. I am trying to get Emotiva to build me a complex load impedance bank so if enough people here chew them out for not building it for me yet, it may happen
THX is great for interoperability but their testing on amps, and especially subs is rather anemic. Our Bassaholic certification is far more stringent than their Ultra2 or Big Room spec. Their amp testing mostly deals with dynamic testing which is how a $1k receiver can easily meet their Ultra2 requirement.
GranteedEV;908190
Um..... why exactly can't you measure a worst case test load?
It sounds to me a classic case of "The measurements are incomplete therefore the listening is more relevant"
But for electronics I'm not sure that should ever be the case given the dubious nature of the industry. The measurements should always be weighed greater. If that means measuring into a 1 ohm load @ 75 degree phase angle for a $5000 amp @ 10hz to 22khz, I don't see why not. It's pretty insane but the measurements should always represent a worst case scenario not a middle of the road scenario.
Likewise with loudspeaker measurements. Why only measure 30 degrees off axis when the sound at 60 or 70 or even 150 degrees off axis has been shown to affect perception?
I understand as a reviewer time constraints etc come into the picture but it's unfair to do half-measurements - and then claim that they don't help identify what you heard.
I'm not criticizing your measurements here Gene. They're great and appreciated as are the subjective commentary. But It's a bit disheartening to see you post the measurements and then claim they're inadequate relative to your experience. If your own speakers are a more complex load than the test signal, then as pretty much the publication leader we expect you to address that objectively rather than use the limitations of the measurements as evidence. I don't really like the idea that something that can be heard but can't be measured. That's awful close to "cable" territory to me. It can either be measured or you choose not to/lack the capability to measure it.
Sorry to rant especially since this was a really good review but your comment that you can hear things that you can't measure just doesn't sit well with me. I'll admit my measurement capability compared to yours is infinitesmal but I also don't make such claims. I know you know this but it feels you just word things in a certain way that gives teh wrong impression.
It seems like a very good topic for an AH article - what aspects of amplifiers when isolated - are actually audible in an ABX / single blind test? I have no doubt that if you can hear it, you can measure it but complexity is the keyword.
I spent many years thinking everything in audio could neatly be measured and quantified. If fact I am pretty anal retentive about this beyond just audio but I am slowly realizing that we don't always get the whole picture from text book measurements & analysis.
This is a good topic for an article that I plan on writing when I find the time.
I do the most exhaustive testing in amplifiers that I've seen compared to any publication. I've even spoken with the folks at Audio Precision and they were impressed with my methods. I am still not 100% happy however as I'd like to do more but as you pointed out, my time is limited and I am the only person on staff that does amplifier measurements for Audioholics.
Distortion audibility is a complex topic one that the folks at AP also discussed at our 2008 SOTU event in this rather boring but interesting video:
Audio Precision Amplifier Testing Methods Class — Reviews and News from Audioholics [audioholics.com]
Again sometimes text book theory doesn't always apply to real world. I found this especially true with loudspeakers and somewhat applicable to amplification.
panteragstk;908197
That would answer the question I posted above. I don't think I've ever seen someone measure an amp in that way in any review ever. I don't think most could handle that.
Of course not. But I don't think most could handle Gene's speakers either.
Likewise, what if my speakers were some perfect 95db/w/m, 8 ohm +/- 2 ohm where theta is +/- 30 degree. if there are multiple drivers they are each driven by their own amplifier not in parallel. ...then I don't hear the difference gene heard. What do you draw from that?
I'm just trying to figure it out. It feels to me that the real world scenario should never be a worse one than the testing scenario. And a resistive 4 ohm load is likely an easier one than a 2 ohm, 50 degree phase angle scenario like whatever Gene mentioned in the review. There should definitely be a double standard. Obviously if an amp is struggling with the basic scenario then the tough scenario is out of the question - for both measurement and ALSO listening. But for a $5000 like this Classe, it's pretty much ::expected:: to drive ultimate speakers IE Apogee or the status acoustics.

