<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0"><channel><title>Audioholics Reviews and News from Audioholics</title><link>http://www.audioholics.com</link><description>Where audio and video equipment undergoes rigorous objective and subjective tests by our staff, ensuring that marketing slogans aren't the only guidelines for your home theater choices.</description><lastBuildDate>Mon, 29 Apr 2013 23:30:00 -0000</lastBuildDate><item><title>Amplifier Voltage Gain Explained – Matching Amp to Preamp</title><link>http://www.audioholics.com/education/amplifier-technology/amplifier-voltage-gain</link><description>If you've ever glanced at the specifications sheet of an external amplifier, you may have noticed the term "voltage gain". In short, it is the degree to which an amplifier actually amplifies the input from the preamplifier/processor. Often overlooked by those unaware of its importance, this one parameter can have significant implications on actual performance when an amplifier is introduced into an AV system. Understanding the impact that different levels of voltage gain can have in your system can very well be the difference between poor sound and getting the most out of an external amplifier. Read more about amplifier voltage gain to ensure you properly match your amp and preamp to achieve maximum performance.</description><pubDate>Mon, 29 Apr 2013 23:30:00 -0000</pubDate><guid>/education/amplifier-technology/amplifier-voltage-gain</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>The Sound of Audio Amplifiers: Can you hear a difference between Amps?</title><link>http://www.audioholics.com/education/amplifier-technology/the-sound-of-an-amplifier</link><description>Whether or not amplifiers sound different is a subject of ongoing controversy. There are sensible, well-informed enthusiasts and magazine reviewers who will swear to their many, obvious differences, differences that are—to them, anyway—almost as obvious and important as the differences between speakers.  There are also just as many well-informed enthusiasts and reviewers who say that there are no meaningful differences in the sound of two properly-functioning, properly-performing amplifiers operating within their undistorted performance envelope.  And there is a third contingent that opines that the in-situ application of different amplifiers with different speakers and other associated equipment and connectors can produce differences in the sound even though nothing in the system is misbehaving per se.  We explore the technical reasons with Rod Elliot of ESP as to why amplifiers can sound different.  We’ll open up the discussion, put forward some factual information, relate a few anecdotal experiences and look forward to your responses.</description><pubDate>Mon, 04 Mar 2013 23:45:00 -0000</pubDate><guid>/education/amplifier-technology/the-sound-of-an-amplifier</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>Slew Rate in Audio Amplifiers - What Does it Mean?</title><link>http://www.audioholics.com/education/amplifier-technology/amplifier-slew-rate</link><description>Ever wonder what slew rate was all about? No, it has nothing to do with how a drunk person slurs their speech. When reviewing the spec sheet of an amplifier, one potentially unfamiliar term you may run into is slew rate.  There are a lot of gobbledygook explanations floating around the web which seem to misunderstand the basic premise, so we at Audioholics are here to clear the air. In short, slew rate has little to do with how an amplifier produces dynamics so much as its ability to effectively maintain output into higher frequencies.  It is the rate of how quickly an amplifier can respond to a rapid change of input level.  This is measured as a change in voltage with respect to time as can be seen in the main image of this article.  We discuss how to calculate slew rate based on amplifier bandwidth and power and also discuss real world implications of the spec.</description><pubDate>Fri, 08 Feb 2013 18:00:00 -0000</pubDate><guid>/education/amplifier-technology/amplifier-slew-rate</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>The High Instantaneous Current Spec</title><link>http://www.audioholics.com/education/amplifier-technology/the-high-instantaneous-current-spec</link><description>We've all seen amplifier companies tout that their amps are "high instantaneous current".  Using the very basic principle governing electricity called Ohm's Law (V=I*R), how could it be possible that 100 watt amp has "higher current" than another 100 watt rated amplifier? This very subject has come up on numerous audio forums including the Audioholics forum, and this article explores that topic as well as the history of how the term "high current" became popularized by some manufacturers.  We do some basic calculations to illustrate just how nebulous this specification often really is.</description><pubDate>Tue, 18 Oct 2011 19:00:00 -0000</pubDate><guid>/education/amplifier-technology/the-high-instantaneous-current-spec</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>Basic Amplifier Measurement Techniques</title><link>http://www.audioholics.com/education/amplifier-technology/basic-amplifier-measurement-techniques</link><description>There has been much discussion on the major audio forums lately regarding A/V receivers and multi channel amplifier power output capabilities as well as their abilities to drive low impedance loads. Much of the controversy steams around the infamous "All Channels Driven Test" which simulates a best case test load in a worst case environment and by all intents and purposes an unrealistic real world scenario. As a result, we have come up with a standard for measuring amplifier performance that deals with various types of power tests as well as other metrics that directly affect sonic performance and how the amplifier can sound powering various types of speaker loads.</description><pubDate>Tue, 05 Oct 2010 22:00:00 -0000</pubDate><guid>/education/amplifier-technology/basic-amplifier-measurement-techniques</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>Setting the A/V Receiver Impedance Selector Switch</title><link>http://www.audioholics.com/education/amplifier-technology/impedance-selector-switch-1</link><description>This article explores why the impedance switch exists on some A/V receivers and its intended purpose, including tradeoff’s when following the manufacturers recommended settings.  Know the facts when purchasing and setting up home theater equipment.  Most importantly, step back and evaluate how you are using your system and make adjustments accordingly to avoid robbing your speakers of power.  </description><pubDate>Tue, 03 Aug 2010 04:50:00 -0000</pubDate><guid>/education/amplifier-technology/impedance-selector-switch-1</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>How a Class D "Digital" Amplifier Works </title><link>http://www.audioholics.com/education/amplifier-technology/class-d-digital-amplifier</link><description>Ever wonder how an amplifier works at a very fundamental level?  Alan Lofft, Resident Expert of Axiom Audio takes us on a tour of traditional linear amplifiers as well as the newer more sleek Class D designs.  Various types of Class D design approaches are discussed including feedback topologies and their implications on audio performance and efficiency.  The similarities and differences of traditional Class D amplifiers compared to Axioms new A1400-8 multi channel amplifier is reviewed.  Learn what makes these amplifiers tick and why it’s cool in more ways than one to get your hands on the future of high end audio amplification that is powerful, efficient, and lightweight compared to their analog predecessors.   </description><pubDate>Fri, 08 May 2009 04:05:00 -0000</pubDate><guid>/education/amplifier-technology/class-d-digital-amplifier</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>Attack of the Clone Amplifiers</title><link>http://www.audioholics.com/education/amplifier-technology/clone-amplifiers</link><description>It’s been a few years since our controversial release of  “Attack of the Clone Processors” and we felt it was time for a sequel to our blockbuster hit editorial.   Engineering a product from the ground up, especially one as complex as a switching amp, takes time and money with the end result often not being as good or cost effective as what can be bought off the shelf like these ICE modules from Bang &amp; Olufsen.  I can count the number of manufacturers producing their very own Class D designs and still have a finger left to point at all the copycats.  Overall this seems to be a good design approach for manufacturers unwilling or unable to do their own developmental work if cost and full disclosure of performance is kept in check.  It’s up to you the consumer to decide if paying a premium price for name brand, exotic accessory parts and cosmetics is worth the investment.  Just don’t let anyone tell you that regardless of price, you are buying anything other than a clone amplifier, albeit a reasonably well engineered one.  </description><pubDate>Wed, 29 Apr 2009 02:15:00 -0000</pubDate><guid>/education/amplifier-technology/clone-amplifiers</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>The Truth About Amplifier Power Ratings</title><link>http://www.audioholics.com/education/amplifier-technology/amplifier-power-ratings</link><description>Ever wonder why the boom box you bought at Best Buy has a higher power rating than your dedicated two-channel power amplifier?  Amplifier power ratings are usually honest in Hi-Fi equipment, but become very silly when it comes to the 'mass market' systems and even some of the latest Class D amplifier offerings.  Few amps have a dynamic headroom of better than 1 or 2dB, and the greater the headroom, usually the cheaper the power supply for the rated power.  This article explores the history of power ratings for consumer audio and also busts the myth about 'RMS' power.</description><pubDate>Tue, 28 Apr 2009 04:06:36 -0000</pubDate><guid>/education/amplifier-technology/amplifier-power-ratings</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>Trading Amplifier Quality for Features in AV Receivers - A new Trend?</title><link>http://www.audioholics.com/education/amplifier-technology/trading</link><description>With new A/V receiver models being released by the major manufacturers every 8 months or so, consumers flock to them for promised improved performance and features.  But are you really getting better performance with the newer models?  Or are you trading amplifier quality for features? This article will be primer for what’s to come in our verification testing to better answer these questions.  Stop and think if the model you currently have meets the performance vs feature balance that is right for your needs and how the newer so called “improved” model fits into that equation. All the features in the world can’t replace clean undistorted dynamics which we believe makes up most of the WOW and magic in the newer HD audio formats.</description><pubDate>Mon, 16 Mar 2009 19:00:00 -0000</pubDate><guid>/education/amplifier-technology/trading</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>10 Things about Audio Amplifiers You've Always Wanted to Know</title><link>http://www.audioholics.com/education/amplifier-technology/10-things-about-audio-amplifiers</link><description>Alan Lofft, Axiom Audio's Resident Expert, took a series of the most commonly asked questions he received about amplifiers, and transformed his answers into an informative editorial.  In this article you will find answers to the importance of amplifier weight and how it relates to quality, how an amplifier works, what the different classes of amplifiers are (ie. class A, A/B, D, etc), and the most important attributes of amplifiers that govern their real world performance.   </description><pubDate>Thu, 18 Sep 2008 19:40:00 -0000</pubDate><guid>/education/amplifier-technology/10-things-about-audio-amplifiers</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>The All Channels Driven (ACD) Amplifier Test</title><link>http://www.audioholics.com/education/amplifier-technology/the-all-channels-driven-acd-amplifier-test</link><description>Can Your Amp Truly Deliver What It Claims? Just how valid is the All Channels Drive (ACD) power test that many home theater publications use to measure amplifier power?  This article cuts through the nonsense of this hotly debated (and often misunderstood) topic.  We explore exactly how print magazines and manufacturers are rating their amplifiers power output with all channels driven, the relevancy of these tests and how it impacts real world performance.  </description><pubDate>Tue, 18 Jul 2006 00:00:00 -0000</pubDate><guid>/education/amplifier-technology/the-all-channels-driven-acd-amplifier-test</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>Switching Amplifiers: The Technology and the Issues</title><link>http://www.audioholics.com/education/amplifier-technology/switching-amplifiers-the-technology-and-the-issues</link><description>This article started because a good friend of mine dropped a Panasonic SA-XR50 switch-mode amplifier to me for some basic bench test. This article will NOT be a review of that unit, but an investigation into some of the issues that are happening with this technology.</description><pubDate>Mon, 10 Apr 2006 01:00:00 -0000</pubDate><guid>/education/amplifier-technology/switching-amplifiers-the-technology-and-the-issues</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>Switching Amplifier (Class D) Basics </title><link>http://www.audioholics.com/education/amplifier-technology/switching-amplifier-class-d-basics</link><description> Just today I read on an internet forum a post by a "hot" new manufacturer of class D amplifiers saying that "the only way to solve the interference problem is to put the amplifier in a completely sealed metal enclosure". Apparently they were trying to excuse the fact that their product renders any nearby tuners useless. This begs the question: why didn't they do so then? Answer: because it doesn't help.</description><pubDate>Thu, 02 Mar 2006 01:00:00 -0000</pubDate><guid>/education/amplifier-technology/switching-amplifier-class-d-basics</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>AV Receiver and Audio Amplifier Power Ratings and Trends</title><link>http://www.audioholics.com/education/amplifier-technology/product-managing-receiver-platforms-power-ratings</link><description>Over the years, AV receiver manufacturers found ways to rate power less conservatively to give the illusion of more.  Stereo reproduction in the fifties morphed from separates built by small high-end manufacturers like Saul Marantz to entrepreneurs like Sidney Harman who is credited with marketing the first receiver. Throughout the early sixties Harman-Kardon was joined by other American companies like H.H. Scott, Lafayette and Fisher until, toward the end of the decade, the Japanese joined the receiver category with lower cost receivers touting "innovations" like my (first receiver) JVC with a 5-band equalizer built-in.</description><pubDate>Tue, 09 Nov 2004 00:00:00 -0000</pubDate><guid>/education/amplifier-technology/product-managing-receiver-platforms-power-ratings</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>The All Channels Driven Amplifier Test Controversy</title><link>http://www.audioholics.com/education/amplifier-technology/the-all-channels-driven-amplifier-test-controversy</link><description> There has been a lot of controversy on many of the Internet forums regarding power capability of receivers when driving multi-channel speaker systems. Some argue that when a receiver is rated at 100wpc x 7, it should be able to deliver this power to all channels simultaneously. But is this a realistic test condition and requirement to place on such a product whose aim is to provide the highest price/performance in a compact box for the typical consumer?</description><pubDate>Tue, 21 Sep 2004 01:00:00 -0000</pubDate><guid>/education/amplifier-technology/the-all-channels-driven-amplifier-test-controversy</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>Damping Factor: Effects On System Response</title><link>http://www.audioholics.com/education/amplifier-technology/damping-factor-effects-on-system-response</link><description>Much ballyhoo surrounds the concept of "damping factor." It's been suggested that it accounts for the alleged "dramatic differences" in sound between tube and solid state amplifiers. The claim is made (and partially cloaked in some physical reality) that a low source resistance aids in controlling the motion of the cone at resonance and elsewhere.</description><pubDate>Mon, 30 Aug 2004 05:00:00 -0000</pubDate><guid>/education/amplifier-technology/damping-factor-effects-on-system-response</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>Audio Amplifier Classes</title><link>http://www.audioholics.com/education/amplifier-technology/audio-amplifier-classes</link><description>There are several basic classes of amplifiers in use today. Three of the more "audiophile of these are Class A, Class B, and Class AB. With the advent of additional digital amplifier technology this section will continue to be updated. Please stay tuned...</description><pubDate>Mon, 30 Aug 2004 01:00:00 -0000</pubDate><guid>/education/amplifier-technology/audio-amplifier-classes</guid><category>Audio Amplifiers</category><category>AV Research</category></item><item><title>The Truth About Digital (Class D) Amplifiers</title><link>http://www.audioholics.com/education/amplifier-technology/the-truth-about-digital-class-d-amplifiers</link><description> Firstly I'd like to point out that "digital amps" is a misnomer. There are two categories:    Analog-controlled class D. Switching amplifiers…</description><pubDate>Mon, 30 Aug 2004 01:00:00 -0000</pubDate><guid>/education/amplifier-technology/the-truth-about-digital-class-d-amplifiers</guid><category>Audio Amplifiers</category><category>AV Research</category></item></channel></rss>